HOW COMME DES GARçONS BECAME A SYMBOL OF RADICAL FASHION CHANGE

How Comme des Garçons Became a Symbol of Radical Fashion Change

How Comme des Garçons Became a Symbol of Radical Fashion Change

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In the world of fashion, there are names that transcend mere trends, becoming icons in their own right. Comme des Garçons, a Japanese fashion comme des garcon brand founded by designer Rei Kawakubo in 1969, is one such name. Known for its avant-garde, often controversial designs, Comme des Garçons has had an unparalleled impact on the fashion industry, forever altering the way we perceive style, beauty, and identity. This blog delves into how Comme des Garçons became a symbol of radical fashion change and revolutionized the fashion world.


The Origins of Comme des Garçons: Rei Kawakubo’s Vision


Rei Kawakubo, the mastermind behind Comme des Garçons, was not just a designer but a visionary who wanted to challenge the conventional norms of fashion. Born in Tokyo in 1942, Kawakubo initially studied fine arts at Keio University before turning her attention to fashion. She started her career in the fashion industry working at the Japanese department store, Asahi Kōgyo Co., before eventually founding Comme des Garçons. The name itself, which translates to "like boys" in French, encapsulates Kawakubo's desire to break free from the traditional definitions of femininity and masculinity, choosing instead to create a new, gender-neutral aesthetic.


The brand’s debut collection in 1976, which was presented in Tokyo, was a revelation. It was raw, it was messy, and it was far from the conventional fashion of the time. The designs were characterized by deconstruction, asymmetry, and a deliberate rejection of traditional tailoring techniques. Kawakubo’s creations were far from the sleek and polished looks that dominated the fashion scene in the 1970s. Instead, she opted for garments that seemed unfinished or broken down, pushing the boundaries of what was acceptable in mainstream fashion.


Revolutionizing Fashion in the 1980s: The Paris Debut


The real turning point for Comme des Garçons came in the early 1980s. In 1981, Kawakubo debuted her collection in Paris, presenting her designs to a European audience that was unaccustomed to the radical vision she was promoting. The collection was met with shock and confusion. The clothes were deliberately unflattering, featuring unusual silhouettes, exposed seams, and seemingly unconventional materials. This debut, however, marked the beginning of Comme des Garçons’ rise to global prominence.


During this time, the fashion industry was primarily dominated by European fashion houses such as Chanel, Dior, and Yves Saint Laurent. These brands adhered to a more traditional notion of luxury, with elegant and feminine silhouettes, a sharp contrast to the rawness and rebellion seen in Comme des Garçons' pieces. The reception of Kawakubo's designs at her Paris debut was polarizing, but it also began a wave of influence that would fundamentally change the way fashion was viewed in the West.


Kawakubo’s designs were in stark contrast to the glamour and excess that defined 1980s fashion. Instead of celebrating beauty, she often focused on discomfort and asymmetry, rejecting the notion of the “perfect” body. Her clothing, characterized by oversized, shapeless silhouettes, often appeared to be “anti-fashion,” challenging the very essence of beauty and style. This radical departure from traditional aesthetics led to the brand being associated with the avant-garde, with Comme des Garçons quickly becoming a symbol of defiance and individualism in the fashion world.


Breaking Boundaries: The Philosophy Behind Comme des Garçons


The philosophy behind Comme des Garçons was not just about creating clothes; it was about challenging societal norms and expectations. Rei Kawakubo’s designs often grappled with ideas of identity, gender, and beauty. She blurred the lines between what was considered masculine and feminine, offering clothing that was not meant to be categorized by gender. This radical approach to design was particularly significant in a time when fashion was deeply tied to gender binaries.


Kawakubo’s creations often embraced the concept of deconstruction, an approach that involved breaking down traditional garments and reassembling them in unconventional ways. This technique resulted in garments that were not always wearable in the traditional sense but were instead thought-provoking works of art. Through her designs, Kawakubo sought to redefine the purpose of clothing, not simply as something to cover the body, but as a tool for self-expression and a reflection of one’s identity.


The idea of imperfection also played a major role in Comme des Garçons’ designs. In a world where fashion often glorified perfection, Kawakubo embraced the idea that beauty could be found in flaws. Her collections often featured frayed edges, unfinished seams, and other elements that were intentionally “imperfect.” This embrace of imperfection was a statement against the pursuit of an idealized, unattainable beauty.


Comme des Garçons’ Legacy: A Lasting Influence


Over the years, Comme des Garçons has continued to push the boundaries of fashion, with Kawakubo consistently introducing new and innovative collections. The brand's collaborations with other designers and artists, such as the iconic collaboration with Nike, have further cemented its place in the annals of fashion history. Comme des Garçons’ impact on fashion can be seen in the rise of other avant-garde designers, and the brand’s ethos has influenced the work of countless fashion houses.


Today, Comme des Garçons is more than just a brand; it is a symbol of radical change in fashion. Rei Kawakubo’s refusal to conform to traditional standards of beauty and her constant reinvention of fashion have made her a trailblazer. The brand’s legacy is not only in its groundbreaking designs but in its unwavering commitment to challenging the norms and pushing the limits CDG Long Sleeve  of what fashion can be. In many ways, Comme des Garçons has become a manifesto for those who believe that fashion is not just about clothes but about self-expression and revolutionizing the way we see the world.









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